Metaphor and Metonymy in the Language of Film
Interplay in Cinema’s Symbolic Process
Semiotics 2020/2021: “Signs of Ambiguity and Uncertainty,” Farouk Y. Seif, Editor: 37-56.
Intersemiosis
Interdisciplinary Journal for Germanic Linguistics and Semiotic Analysis. University of California, Berkeley. 22/1 (Spring 2017): 29-68.
Journeys in Intersemiosis
Navigare necesse est,
vivire non necesse.
Notoriously protean, the term intersemiosis can be used to describe a wide variety of phenomena. Stretching it to its widest horizons, the notion suggests the interplay of all signifying processes, a tautology for semiosis. And yet, at the heart of contemporary semiotic research lies the critical distinction between different kinds of semiosis, which the age of ‘screens’ brings to the fore — along with the usefulness of a notion kindred to our times.
Theme photograph by Joseph Kugielsky
ALEPH: Pedro Roth’s Incessant Creativity
Text for catalog of Pedro Roth’s new show: Point of Contact Gallery, Syracuse, New York. August 29 – October 7. http://puntopoint.org/exhibitions/September 2017.
ALEPH: Pedro Roth’s Incessant Creativity
“One has to stop dancing while dancing” Meet the artist as he lets his work happen
ABC para un cuento de Cortázar: Relectura de ‘Vientos alisios’
Inti: Revista de la literatura Hispánica. 79–80 (Spring–Fall 2014): 87–104. Peer-reviewed
On Inventing the Enemy: Lies and Irony in Eco’s Fiction
Interdisciplinary Journal for Germanic Linguistics and Semiotic Analysis. 19/1 (Spring 2014): 81–110. (Journal published by the University of California, Berkeley). Peer-reviewed
“Over a Bridge, by Chance, at Night: The Fantastic in Woody Allen’s Midnight in Paris”
From Translation to Intersemiosis: A Journey across Expressive Modalities
In Moving between Modes: Papers in Intersemiotic Translation. Łódź, Poland: Łódź University Press, 2020: 43–59.
The Bewilderment of Being: Resonance of Macedonio Fernández in the Fantastic
Inventio y montaje en Insurgentes. Ciclos formales en el cine de Jorge Sanjinés
“Inventio and Montage in Insurgents: Formal Cycles in Jorge Sanjinés’ Films”. El Ojo que Piensa: Revista de Cine Iberoamericano — Nueva Época. 5/10 (Fall 2014): n. pag. Web. 7 May 2015. Peer-reviewed.
(Journal published by University of de Guadalajara, Mexico, in collaboration with the Guadalajara International Film Festival, the most prestigious film festival in Latin America)
Journeys in Intersemiosis 